2020 |
Time and Timelessness Festival Aldeburgh. Happy Ending Happy Ever After Q and A. |
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Inland Island. WOFFF20 Film Festival |
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Inland Island. Bozone International film festival, Montana. |
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Interview with Caroline Wiseman |
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Interview with Sarah Sarhandi |
2019 |
Happy Ending Happy Ever After Alive in the Universe Palazzo Pesaro Papafava Venice. |
2018 |
Inland Island. Bozone International film festival, Montana. Q&A |
2017 |
Inland Island. The Greenhouse Q&A John Rundle |
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Inland Island. Curzon Bloomsbury “The journey of the woman in the Arts” Q & A Katrina Millar |
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Inland Island. Skip Garden Kitchen Kings Cross Q&A Jane Riddiford of Global Generations |
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Inland Island. Barnham Court Q&A with Rebecca Stephens MBE |
2016 |
Inland Island (2017) The Gate Picturehouse screening. |
2014 |
Gravity lecture series Sheffield Hallam University. |
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FACK Arts talk “Nurture Nature” |
2013 |
Design, Architecture and Sustainability, Ecobuild conference area, Antara Arts festival, Bloomsbury. |
2012 |
House of Beasts Symposium, Darwin Festival 2012, Shropshire |
2007 |
Presentation for Mixmach, The Arts Club, Mayfair. |
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Presentation of practice to the Centro d fotografia-conac, Venezuela, Caracas. |
2013 |
Global Nation, Islington Arts Factory. |
2012 |
Do not succumb to fear of Shadows, Librairie Des Alpes, Paris. |
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It really doesn’t matter, Grace Tashima Gallery, Paris. |
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The Protester, Great Western Studios, London. |
2011 |
27 Bones, Riverside studios, London. |
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The Lookout, Caroline Wiseman Gallery Aldeburgh. |
2010 |
The Impossibility of Escapism, Westbourne Grove Artspace. |
2003 |
Pearl Grey Haze, Drive By Gallery, London. |
1994 |
Recent Work, Centre for Photography Geneva. |
1993 |
D.M.B.B. Advertising Agency, London. |
1992 |
Lightsome, Metro Cinema, London. |
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Angels and Trees, Heinz Julen Gallery, Zermatt. |
1990 |
Travel work, Islington Arts Factory, London. |
2014 |
Building Site at Hardwick Hall for the National Trust and Meadow Arts. |
2013 |
Nurture Nature, Lumen URC, Antara festival. |
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Nurture Nature, Great Western Studios. |
2012 |
Here and Now, Chelsea Arts Club, London. |
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Collaborators 3, Room Gallery, London. |
2011 |
Collaboration with Sarah Sahandi at Great Westen Studios. |
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Commission for Meadow Arts at The National Trust “House of Beasts”. |
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Psychometry, Core Gallery London. |
2010 |
ING Discerning eye exhibition, The Mall Galleries. |
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Brighton Photography Fringe. |
2007 |
Local, Lonsdale Medical Centre Queens Park. |
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Rizoma, Touring group show of Mexican Universities. |
2005 |
Towers and Icons, Artists Harbour Gallery, Southampton. |
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Different Alphabets/Different Languages, Bury Art Gallery and Museum Text Festival. |
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Art of Love, OXO Gallery, London. |
2004 |
Koestler Exhibition, Wormwoodscrubs, London. |
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I am the way, The Arundell Trust, London. |
2003 |
Folorn, Tha Manor, London. |
2002 |
Ford show at Oxford house. |
2001 |
Somewhere, Peach Performance, Waterstones, Picadilly. London. |
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British Representative at EU show at PDVESA Centre, Caracas. Venezuela. |
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The worm has turned Poetry Cafe, London. |
2000 |
The Torrid Zone. Venezuelan Cultural Centre, London. |
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Buildings, Coins Space, London. |
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Nets, The Poetry Cafe, London. |
1999 |
Flowers, Zelda CheatleGallery, London. |
1998 |
6 Women, Biblioteca National, Caracas, Venezuela. |
1997 |
Hilogia Fundacion CELARG, Caracas. |
1996 |
We don't tallk about it, Zelda Cheatle Gallery. |
1995 |
Hostile Witness. Washington Project for the Arts, USA. |
1993 |
Open Show, Oriel Mostyn Gallery, Llandudno, Wales. |
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Compassion, Hamiltons Gallery, London. |
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What She Wants: Females Photographing Males, touring group show. |
1992 |
Wallsall Museum and Arts Gallery. |
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Two Women, Special Photographers Co, London. |
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Kitchen Work, Westminster Photography Show, Pimlico Arts Centre, London. |
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Naked, Free Trade Wharf, Whitechapel Open, London. |
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South Bank Open Exhibition. South Bank Centre, London. |
1991 |
Treading a Fine Line, Zelda Cheatle Gallery, London. |
1990 |
An Angel in the Basement Special Photographers Company, London. |
1989 |
Pendle Photographic Gallery, England; A Degree of Communication. |
2014 |
I newspaper - 16th June. |
2012 |
Design Week, “Things We Like This Week” - 5th April. |
2011 |
The Independent, “Arts Observations” - 8th July. |
2010 |
The Times, “The Daily Register”, 23rd February, pp.33 |
2005 |
The Art of Love, Londonart, London, pp.52 |
2002 |
MA Fine Art 2002 exhibition catalogue, The London Institute, Central St Martins College of Art and Design. |
1998 |
Hironobu Shino. Mirror Image, The Special Photographers Company, NYC, pp. 142. |
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Swanstock, Swanstock Inc., NYC 998 British Journal of Photography, “On View”
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1997 |
Extra Camera no11 Bestiario, Consejo Nacional de la Cultura, Caracas, Venezuela, pp.54-55. |
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The Daily Journal, “Review”, September 22. |
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La Bjujula, “Review”, Guia Cultural, pp10. |
1996 |
Sarah Kent. Time Out, “Review: We don’t talk about it”, pp. 56 |
1994 |
Naomi Salaman and Linda Williams. What She Wants: Women Artists Look at Men, Verso, pp.22ed. |
1994 |
Photo 94: The Annual of the British Journal of Photography, BouverPublishing Co. Ltd., pp.122. |
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Make Believe |
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images, vol3-1/94, pp.25 |
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ed. Sebastian Boyle, A, B, Sea, pp. |
1993 |
Griselda Pollock. Women’s’ Art, Jan/Feb |
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Caroline Smith. What’s On “Beth Dow/Sophie Molins at the Special Photographer’s Company”, 28 October
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Chris Bilton. Arts in Westminster, “Visions 3”, September/0ctober, pp.1 |
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British Journal of Photography, “News”, pp.6 |